🎷 Carlo Muscat - A Musical Approach to Improvisation 🎷🎷 25th February 2025 🎷

St Leonards Hotel, Ringwood, BH24 2NR

🎷 Carlo Muscat - A Musical Approach to Improvisation 🎷🎷25th May 2025 🎷

St Leonards Hotel, Ringwood, BH24 2NR

On 25th May 2025 AB Workshops welcomes saxophonist and composer Carlo Muscat for a one workshop called “A Musical Approach to Improvisation”.

Carlo Muscat is recognized as one of the most promising voices on the European jazz scene, establishing himself as a saxophonist, composer, and bandleader through collaborations with outstanding musicians across the continent. His sixth album, Hymns, received critical acclaim, earning a four-star rating from Downbeat Magazine and a place on their Best Albums of 2023 list. This recognition marked a defining moment in his artistic development and his emergence as a distinct presence in contemporary jazz.

Playing level: As a guide, you’ll need an instrumental ability of Grade 3 standard or above.

Carlo Muscat - A Musical Approach to Improvisation

On 25th May 2025 AB Workshops welcomes saxophonist and composer Carlo Muscat for a one workshop called “A Musical Approach to Improvisation”.

Carlo Muscat is recognized as one of the most promising voices on the European jazz scene, establishing himself as a saxophonist, composer, and bandleader through collaborations with outstanding musicians across the continent. His sixth album, Hymns, received critical acclaim, earning a four-star rating from Downbeat Magazine and a place on their Best Albums of 2023 list. This recognition marked a defining moment in his artistic development and his emergence as a distinct presence in contemporary jazz.

Carlo explains “The idea with the workshop is to refocus people’s attention on what actually matters when making music. Instagram has shattered these concepts into a million pieces”.

Playing level: As a guide, you’ll need an instrumental ability of Grade 3 standard or above.

Carlo is endorsed by JodyJazz and Trevor James Saxophones.

Carlo Muscat - A Musical Approach to Improvisation
The Concepts Behind "A Musical Approach to Improvisation"....Tone, Time, Tactic

– The elements of tone and how to practice them: articulation, dynamics, intonation, vibrato
– Exercising time and developing a time-feel
– The difference between practicing and playing
– The relationship between technique and time
– Increasing technical fluency by internalizing patterns
– The importance of transcription, imitation, and ear training

Day Structure

Session 1: Foundations for Improvisation – Mindset & Practice Strategy

  • Developing a personalized approach to practicing improvisation

  • How the book’s concepts evolved and their connection to improvisation

  • Balancing structure (practice) and freedom (playing)

  • Mindful repetition: internalizing ideas, and mechanical execution

  • Setting improvisation goals: short-term development vs. long-term artistic growth

Session 2: The Elements of Tone & Time in Improvisation

  • Tone as the foundation of expression

  • Long tones with variations for musicality

  • Overtones & embouchure control for sound flexibility

  • The relationship between tone and air stream

  • Time as the foundation of rhythmic improvisation

  • Developing a strong internal time-feel

  • Practicing swing feel and rhythmic placement

  • How time & phrasing influence technical fluency in improvisation

Session 3: Tactics for Technical & Aural Development in Improvisation

  • Technique as a tool for improvisation

  • Finger response: speed, coordination & control for fluidity

  • Beyond memorization: learning patterns vs improvising melodies

  • Ear training for improvisation

  • Singing intervals & melodies before playing them

  • Playing by ear: reacting to sound instead of relying on theory

  • Transcription & imitation: learning phrasing, articulation & time from masters

  • Bridging the gap between technique to improvisation

Session 4: From Practice to Performance – Improvising in a Musical Context (with rhythm section)

  • Playing melodies, not ‘licks’

  • Applying the workshop concepts in a musical, interactive setting

  • Exploring phrasing, space, and interplay in improvisation

  • Showcasing different approaches based on the participants’ progress

More About Carlo

His seventh album, The Body Is Only Light, was released in October 2024 on the American label ears&eyes Records. Recorded in Kyiv on Sunday 24th March 2024, it features a dynamic Ukrainian rhythm section with bassist Kostiantyn Ionenko and drummer Dmytro Lytvynenko interpreting Muscat’s compositions. The album reflects the emotional weight of his experiences in Ukraine, a country he had been deeply connected to since before the Russian invasion. The music captures an essence of freedom, strength, grief, determination, outrage, love, and hope.​

Muscat’s career first gained international momentum in 2012 when he appeared as a leader at the Malta Jazz Festival, marking his debut on a major stage. A year later, he relocated to Paris, immersing himself in the city’s rich artistic environment. This period of rapid growth led to the release of his debut album, The Sound Catalogues, which introduced his compositional voice to the international jazz scene. In 2016, he returned to Paris to record his second album, Explorations, a project that showcased a more experimental approach, incorporating electric elements unprecedented in his work.​

In 2018, he began a collaboration with the Ukrainian concert pianist Olena Poguliaieva, exploring the works of 20th-century Ukrainian composers. The duo’s album Oda, recorded in Kyiv in 2019, was a pivotal project that shifted his artistic perspective, unlocking new sonic possibilities. Their ongoing work continues to bridge classical and jazz traditions, blending adaptations of Ukrainian and French romantic miniatures with interpretations of folk songs.

Amidst the COVID-19 pandemic, Muscat returned to Kyiv in 2020 to record Wool, his fourth album as a leader and his first with a Ukrainian quartet. Featuring pianist Yuriy Seredin, bassist Kostiantyn Ionenko, and drummer Oleg Markov, the album was finally presented live at the 2023 Malta Jazz Festival, after delays caused by both the pandemic and the war. Sharing the stage with some of the most renowned contemporary jazz musicians, the quartet delivered a powerful performance that cemented Muscat’s reputation as a fearless and inventive artist.

Beyond performance and composition, Muscat is dedicated to education and artistic development. In April 2024, he published Tone, Time, Tactic, a book focused on creative practice for saxophonists and other wind instrumentalists. His discography, spanning seven albums as a leader, reflects an ongoing evolution of his sound—each project exploring new compositional and stylistic directions. Pianist Aaron Goldberg remarks, “Carlo’s fine taste is on display throughout−lyrical music with a bounce, refreshing in its conceptual simplicity.”

Continuing to expand his collaborations across Europe and beyond, Muscat remains deeply engaged in this ever-evolving language embracing freedom, interpretation, and a willingness to explore new musical territories.

Carlo Muscat - A Musical Approach to Improvisation
Carlo Muscat and Tony Tixier - Lighthouse Trio
Specifics About The Weekend
  • Based at St Leonards Hotel in beautiful Dorset, with excellent facilities
  • One full day of tutor lead sessions, a total of four sessions
  • Suitable for the following instruments: Saxophone
  • Workshop runs from 10am – 4.30pm, with two 30 minute breaks and a 1 hour lunch break
  • Optional: A Hot lunch (including requirements such as vegetarian, gluten intolerance etc)
  • Refreshments; Tea, coffee (including freshly made filter coffee), juices, a variety of biscuits, fresh pastries
  • Price: £70
  • FREE parking
  • On-site accommodation (subject to availability). Not included in the price, please book direct with the hotel
  • Safe, simple, secure. We have now set it up for you to be able to book easier than ever before, simply BOOK ONLINE

Alternatively if you have any questions on the suitability of this course for you we will be happy to help. Contact us at hello@abworkshops.com or by calling 07711 998058 and we will be happy to discuss your needs further.

Participant Information

As an approximate guideline; be able to play around Grade 3 standard. Please note, this does not mean you need Grade 3 qualification, it means your current playing level should be of this standard or better.

Regardless of your current level, we here at AB Workshops are committed to providing tuition and support at a pace that allows you to absorb salient points while good progress and motivation is maintained.

What do we mean by “grades” as a measuring tool? We use the ABRSM/Trinity “classical” syllabus, but in most respects this applies to the Jazz grades as well. If you haven’t taken any grades then please contact us to discuss suitability.
Saxophone.
You will need to bring your own instrument, instrument stand, and music stand.
Price: £70 for the day.
Refreshments; Tea, coffee (including freshly made filter coffee), juices, a variety of biscuits, fresh pastries.

A hot lunch is included if you choose that option when making the booking (including requirements such as vegetarian, gluten intolerance etc).
Times for the workshop are as follows:

Arrive: 9.30am onwards
Session one: 10am – 11.15am
Morning break: 11.15am – 11.45am
Session two: 11.45am – 1pm
Lunch: 1pm – 2pm
Session three: 2pm – 3pm
Afternoon break: 3pm – 3.30pm
Session four: 3.30pm – 4.30pm
Participants of all ages are welcome. Please note: Participants under 18 will need to provide parent/ guardian contact details.

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